A radiation leak wipes out the crew of the mining ship Red Dwarf leaving one survivor - chicken soup repair man, David Lister.After three million years in suspended animation, Lister emerges to find he is the last human being in the universe. But he is not alone.Join the crew across all twelve series and the 90-minute TV movie in this complete collection packed with cosmic misadventures, classic moments, and smegging brilliant extras.Includes:Discs 1-2: Series I (Episodes + Bonus DVD)Discs 3-4: Series II (Episodes + Bonus DVD)Discs 5-6: Series III (Episodes + Bonus DVD)Discs 7-8: Series IV (Episodes + Bonus DVD)Discs 9-10: Series V (Episodes + Bonus DVD)Discs 11-12: Series VI (Episodes + Bonus DVD)Discs 13-15: Series VII (Episodes + Bonus DVD)Disc 16: Just the Smegs DVDDiscs 17-19: Series VIII (Episodes + Bonus DVD)Discs 20-23: The Bodysnatcher DVD CollectionDiscs 24-25: Back to Earth (Episodes + Bonus Blu-ray)Discs 26-27: Series X (Episodes + Bonus Blu-ray)Discs 28-29: Series XI (Episodes + Bonus Blu-ray)Discs 30-31: Series XII (Episodes + Bonus Blu-ray)Disc 32: The Promised LandDisc 33: DVD Easter Eggs
Ralph Bakshi's 1978 animated adaptation of The Lord of the Rings is a bold, colourful, ambitious failure. Severely truncated, this two-hour version tackles only about half the story, climaxing with the battle of Helm's Deep and leaving poor Frodo and Sam still stuck on the borders of Mordor with Gollum. Allegedly, the director ran out of money and was unable to complete the project. As far as the film does go, however, it is a generally successful attempt at rendering Tolkien's landscapes of the imagination. Bakshi's animation uses a blend of conventional drawing and rotoscoped (traced) animated movements from live-action footage. The latter is at least in part a money-saving device, but it does succeed in lending some depth and a sense of otherworldly menace to the Black Riders and hordes of Orcs: Frodo's encounter at the ford of Rivendell, for example, is one of the movie's best scenes thanks to this mixture of animation techniques. Backdrops are detailed and well-conceived, and all the main characters are strongly drawn. Among a good cast, John Hurt (Aragorn) and C3PO himself, Anthony Daniels (Legolas), provide sterling voice characterisation, while Peter Woodthorpe gives what is surely the definitive Gollum (he revived his portrayal a couple of years later for BBC Radio's exhaustive 13-hour dramatisation). The film's other outstanding virtue is avant-garde composer Leonard Rosenman's magnificent score in which chaotic musical fragments gradually coalesce to produce the triumphant march theme that closes the picture. None of which makes up for the incompleteness of the movie, nor the severe abridging of the story actually filmed. Add to that some oddities--such as intermittently referring to Saruman as "Aruman"--and the final verdict must be that this is a brave yet ultimately unsatisfying work, noteworthy as the first attempt at transferring Tolkien to the big screen but one whose virtues are overshadowed by incompleteness. --Mark Walker
The second series of Red Dwarf is, as Danny John-Jules says in the accompanying DVD commentary, "the one where it really went good". First broadcast in the autumn of 1988, these six episodes showcase Rob Grant and Doug Naylor's sardonic, sarcastic humour to perfection. The writing has matured, no longer focussing solely on SF in-jokes and gags about bodily functions, instead allowing the humour to develop from the characters and their sometimes surprisingly poignant interactions: Lister's timeless love for Kochanksi, for example, or Rimmer's brief memory-implanted love for one of Lister's ex-girlfriends. The cast had gelled, too, and there's even more colour this year as the drab sets are spiced up, a little more money has been assigned to models and special effects, and the crew even go on location once in a while. "Kryten" introduces us to the eponymous house robot (here played by David Ross), although after this first episode he was not to reappear until Series 3, when Robert Llewellyn made the role his own. Then in "Better Than Life" the show produced one of its all-time classic episodes, as the boys from the Dwarf take part in a virtual reality game that's ruined by Rimmer's tortured psyche. Other highlights include "Queeg", in which Holly is replaced by a domineering computer personality, the baffling time travel paradox of "Stasis Leak", the puzzling conundrum of "Thanks for the Memory", and the astonishingly feminine "Parallel Universe". On the DVD: Red Dwarf, Series 2 has another chaotic and undisciplined group commentary from the cast, all clearly enjoying the opportunity to reminisce. The second disc has a host of fun extras, including an "A-Z of Red Dwarf", outtakes, deleted scenes, a Doug Naylor interview, model shots, and the full, unexpurgated "Tongue Tied" music video. As with the first set, the animated menus are great fun and the "Play All" facility is the most useful little flashing button ever created. --Mark Walker
Notoriously, and entirely appropriately, the original outline for Doug Naylor and Rob Grant's comedy sci-fi series Red Dwarf was sketched on the back of a beer mat. When it finally appeared on our television screens in 1988 the show had clearly stayed true to its roots, mixing jokes about excessive curry consumption with affectionate parodies of classic SF. Indeed, one of the show's most endearing and enduring features is its obvious respect for the conventions of SF, even as it gleefully subverts them. The scenario owes something to Douglas Adams's satirical Hitch-Hiker's Guide, something to The Odd Couple and a lot more to the slacker SF of John Carpenter's Dark Star. Behind the crew's constant bickering there lurks an impending sense that life, the universe and everything are all someone's idea of a terrible joke. Later series broadened the show's horizons until at last its premise was so diluted as to be unrecognisable, but in the earlier episodes contained in this box set the comedy is witty and intimate, focusing on characters and not special effects. Slob Dave Lister (Craig Charles) is the last human alive after a radiation leak wipes out the crew of the vast mining vessel Red Dwarf (episode 1, "The End"). He bums around the spaceship with the perpetually uptight and annoyed hologram of his dead bunkmate, Arnold Rimmer (Chris Barrie, the show's greatest comedy asset) and a creature evolved from a cat (dapper Danny John Jules). They are guided rather haphazardly by Holly, the worryingly thick ship's computer (lugubrious Norman Lovett). --Mark Walker
IN WHITEWOOD, TIME STANDS STILL Christopher Lee was already a horror icon when he started filming The City of the Dead in 1959. Having played Frankenstein's Monster, Count Dracula and The Mummy for Hammer, this new picture would allow him to extend his range to the American Gothic and witchcraft in a small New England village Lee plays Professor Driscoll, an authority on the occult who persuades one of his students (Venetia Stevenson) to research his hometown, Whitewood, once the site of witch burnings in the 17th century. Booking herself into the Raven's Inn, she soon learns that devil worship among the locals hasn't been consigned to the past. Produced by future Amicus founders Milton Subotsky and Max Rosenberg, and beautifully shot by Desmond Dickinson (whose credits ranged from Laurence Olivier's Hamlet to Horrors of the Black Museum), The City of the Dead is a wonderfully atmospheric and still shocking slice of horror that stands firmly alongside with its Hammer contemporaries. SPECIAL EDITION CONTENTS: New 4K digital restoration by the Cohen Film Collection and the BFI High Definition Blu-ray (1080p) and Standard Definition DVD presentations of two versions of the film: The City of the Dead and the alternative US cut, Horror Hotel Uncompressed Mono 1.0 PCM Audio Optional English subtitles for the deaf and hard of hearing Audio commentary by film critic Jonathan Rigby, author of English Gothic: Classic Horror Cinema 1897-2015 and Christopher Lee: An Authorised Screen History, recorded exclusively for this release Trailer Reversible sleeve featuring original and newly commissioned artwork by Graham Humphreys MORE TO BE ANNOUNCED! FIRST PRESSING ONLY: Illustrated collector's booklet featuring new writing by Vic Pratt
Notoriously, and entirely appropriately, the original outline for Doug Naylor and Rob Grant's comedy SF series Red Dwarf was sketched on the back of a beer mat. When it finally appeared on our television screens in 1988 the show had clearly stayed true to its roots, mixing jokes about excessive curry consumption with affectionate parodies of classic SF. Indeed, one of the show's most endearing and enduring features is its obvious respect for the conventions of SF, even as it gleefully subverts them. The scenario owes something to Douglas Adams's satirical Hitch-Hiker's Guide, something to The Odd Couple and a lot more to the slacker SF of John Carpenter's Dark Star. Behind the crew's constant bickering there lurks an impending sense that life, the universe and everything are all someone's idea of a terrible joke. Later series broadened the show's horizons until at last its premise was so diluted as to be unrecognisable, but in the six episodes of the first series the comedy is witty and intimate, focusing on characters and not special effects. Slob Dave Lister (Craig Charles) is the last human alive after a radiation leak wipes out the crew of the vast mining vessel Red Dwarf (episode 1, "The End"). He bums around the spaceship with the perpetually uptight and annoyed hologram of his dead bunkmate, Arnold Rimmer (Chris Barrie, the show's greatest comedy asset) and a creature evolved from a cat (dapper Danny John Jules). They are guided rather haphazardly by Holly, the worryingly thick ship's computer (lugubrious Norman Lovett). On the DVD: Red Dwarf I arrives in a two-disc set, with all six episodes on the first disc accompanied by an excellent group commentary from Craig Charles, Chris Barrie, Danny John Jules and Norman Lovett. (There's also a bonus commentary on "The End" with the two writers and director Ed Bye.) The 4:3 picture is unimpressive, but sound is decent stereo. The second disc has an entertaining 25-minute documentary on the genesis of the series with contributions from the cast, writer Doug Naylor and producer Paul Jackson. Navigate the animated menus to find a gallery of extra features, including isolated music cues, deleted scenes, outtakes ("Smeg Ups"), a fun "Drunk" music montage, model effects shots, Web links, audiobook clips, the original BBC trailer and even the entire first episode in Japanese. --Mark Walker
Red Dwarf: 20th Anniversary - All The Shows
Experience the tension, drama and devastation with the The Walking Dead The Complete Seasons 1-10 Boxset!After Rick Grimes wakes up from a coma to discover the world has been ravaged by a zombie apocalypse, he leads a group of survivors as they attempt to sustain and protect themselves, not only against attacks by walkers but by other groups willing to ensure their survival by any means necessary.Based on one of the most successful and popular comic books of all time, written by Robert Kirkman, The Walking Dead vividly captures the tension, drama and devastation following a zombie apocalypse.Special FeaturesAll 153 episodes on 51 discs.Plus hours of featurettes, deleted scenes and audio commentaries from all 10 seasons!The discs are housed in two Monster Cases which slot into a Rigid Slipcase.
Bette Midler poured her heart and soul into For the Boys, the story of a pair of entertainers who repeatedly took time from their careers to entertain US troops at war, from World War II to Vietnam--and it sank like a stone at the box office. Granted, it's corny and emotionally over the top. It is the tale of an unlikely team of singer and comedian (played by Midler and James Caan), who are brought together for a reunion show in their dotage. As they nervously anticipate seeing each other for the first time in years, they are flooded with memories of their earlier days as a hot show-biz couple whose own troubles always took second place to their patriotic urge to buoy the boys in uniform. Some say this was a veiled film version of the Martha Raye story; Midler gives it her all and Caan isn't bad. But director Mark Rydell lays on the schmaltz so thickly at times that it overpowers the tougher material. --Marshall Fine, Amazon.com
When students Alex (David Ladd - A Day of Flanders) and Patricia (Sharon Gurney - Jason King) discover a dying man in their local underground station they spark off an investigation that reveals a sinister and macabre plot that even sends shivers down the spines of hardened police officers Calhoun (Donald Pleasence - Halloween You Only Live Twice) and Rogers (Norman Rossington - Saturday Night & Sunday Morning A Hard Day's Night). Prominent people it seems have be
Shy lonely Eric Binford delivers film cassettes and film-related supplies in Los Angeles for a living. But he really exists only to see movies and immerse himself in fantasies about cinematic characters and stars. Frequently bullied and betrayed Eric comforts himself by pretending to be one of the many tough heroes or villains who have captivated him from the silver screen. When a series of unpleasant incidents loosen Eric's already weak grip on reality it sends him into a homicidal rage. He launches a series of grotesque murders all patterned after characters and incidents from his beloved movies. He becomes known as the Celluloid Killer one of the most horrifying murderers the city has ever known.
The acclaimed 1967 BBC adaptation of the Charles Dickens classic, Great Expectations is now available to own on DVD for the first time. Starring BAFTA-winner Francesca Annis (Home Fires), Gary Bond (Zulu), Hannah Gordon (The Elephant Man) and BAFTA-nominee Peter Vaughan (Game of Thrones) Young Philip Pirrip (Christopher Guard) universally known as Pip encounters escaped convict Magwitch (John Tate) in a deserted graveyard, and helps him find food and escape his shackles. When his kindness is later rewarded by an unexpected inheritance, the adult Pip (Gary Bond), surrounded by home comforts, grows mean and arrogant and smitten with the aloof Estella (Francesca Annis).Maxine Audley plays vindictive recluse Miss Havisham, who has raised Estella to distrust all men. Written by acclaimed playwright Hugh Leonard, who adapted many of Dickens books for TV and the stage, this is a delightful cautionary tale of the power of wealth to corrupt and betray.
All six episodes from the first series of the popular sci-fi comedy. In 'The End' Dave Lister (Craig Charles) awakes from three million years in suspended animation to find he is the last living human being. 'Future Echoes' has the crew start getting glimpses of the future when Red Dwarf breaks the speed of light. 'Balance of Power' finds Rimmer (Chris Barrie) unsettled by the possibility that Lister might attain a higher rank than him. 'Waiting for God' sees Lister take on the mantle of a God, and discover that he is responsible for a huge war. 'Confidence and Paranoia' has Lister's pneumonia mutate in such a way that his hallucinations become solid. Finally, in 'Me 2', Rimmer creates a duplicate of himself - and although the honeymoon period is blissful, the relationship eventually takes a rather bitter turn.
All six episodes from the second series of the popular sci-fi comedy. In 'Kryten' the crew of Red Dwarf answer a distress call from three woman survivors of a crashed spaceship, only to discover their long-dead bodies being waited on by android butler Kryten (David Ross). 'Better Than Life' finds the crew living out their fantasies with a virtual reality computer game. 'Thanks for the Memory' sees Lister (Craig Charles), Cat (Danny John-Jules) and Rimmer (Chris Barrie) lose all memory of the preceding four days. 'Stasis Leak' has the crew discover a doorway to the past, enabling Lister to romance Kochanski (C.P. Grogan) and Rimmer to warn himself about the future. 'Queeg' sees Holly (Norman Lovett) replaced by a much stricter back-up computer. Finally, in 'Parallel Universe', a faster-than-light drive propels the crew into a universe where they meet their female counterparts.
He lives! They die! Christopher Lee as the fanged undead.
Perhaps the finest of the series of biographical films that Ken Russell made for the BBC in the sixties 'Song of Summer' is an immensely moving story of sacrifice idealism and musical genius. Based on Eric Fenby's 1936 memoir 'Delius As I Knew Him' it traces the last years of Frederick Delius and Fenby's dedication in giving up five years of his life to helping the blind paralysed composer set down the unfinished scores he could hear in his head. There are terrific performa
Charting the life and times of Muhammad Ali this documentary begins in Louisville Kentucky the birthplace of the future World Heavyweight Champion and follows his career from his first amateur fight against Ronnie O'Keefe (for which he was paid the princely sum of $4.00) to the most infamous fights of his life: ""The Rumble in the Jungle"" and ""The Thrilla in Manila"". Featuring classic footage from legendary fights as well as interviews with his trainer Angelo Dundee and contribu
Made in 1978, the original 'The Lord Of The Rings' was directed by cutting edge animator Ralph Bakshi using an innovative technique that allowed the animator to paint over live action footage, bringing the book to life with stunning success. Featuring an exceptional voice cast including William Squire as Gandalf the Grey, Christopher Guard as the Hobbit Frodo and guardian of the master ring, John Hurt as the heroic Strider, One Foot in the Grave's Annette Crosby as Galadriel and Star Wars' A...
Horror Hotel: This hotel is the gateway to hell! Young college student Nan Barlow (Stevenson) uses her winter vacation to research a paper on witchcraft in New England as her professor recommended that she spent her time in a small village called Whitewood. Once she gets to the village she notices some weird happenings but things begin to happen in earnest when she finds herself ""marked"" for sacrifice by the undead coven of witches! The Terror: A lieutentant in Na
Universally accepted as a true icon of the 20th Century Muhammad Ali's phenomenal achievements spanned sport politics and religion. One man - photographer William Klein - had comprehensive access to the events that shaped Ali's legend. In 1964 the young outspoken Cassius Clay successfully defeated the seemingly invincible Heavyweight Champion Sonny Liston - the manner of Clay's victory and his amazing persona made him an instant superstar. Through this incredible period and Clay's subsequent rematches with Liston William Klein enjoyed unrivalled access to Clay's camp - witnessing at first hand Cassius Clay becoming Muhammad Ali and angering the American people with his allegiance to Islam. Forward to Zaire 1974 and the return of Muhammad Ali to the world stage. Having been stripped of his title and condemned by the American Government for refusing to go to Vietnam Ali arrived in his spiritual homeland to face another invincible champion George Foreman. As Ali reclaimed the crown for a second time Klein was ever present capturing the full story at close quarters. A truly remarkable piece of film history!
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